There have been numerous Broadway shows as well as
movies that have been titled Summer Holiday. It was the 1948
Metro-Goldwyn-Mayer production “Summer
Holiday” that introduced the song "The Stanley Steamer"
by Harry Warren and Ralph Blane.
The storyline that eventually became the musical was written as a stage
play by American playwright Eugene O'Neill. Titled "Ah, Wilderness!"
the comedy premiered on Broadway at the Guild Theatre on October 2,
1933. A MGM film with the same name soon followed
in 1935 and was directed by Clarence Brown and stared Wallace Beery,
Lionel Barrymore, Aline MacMahon and Mickey Rooney.
MGM decided to turn the story into a musical and hired Director Rouben
Mamoulian who had successfully directed the original stage productions
of "Oklahoma!", "Carousel", and "Porgy and Bess". The working title
during production remained Ah, Wilderness however by the time
the 93-minute film was released through distributor Lowes Incorporated, the name
had been changed to "Summer Holiday".
The production starred Mickey Rooney, Gloria DeHaven, Walter Huston,
Frank Morgan, Butch Jenkins, Marilyn Maxwell, and Agnes Moorehead. Shooting required 113 days during June through October 1946.
The screenwriters for the movie were Frances Goodrich and Albert Hacket
who consulted with Eugene O'Neill during the writing.
MGM hired music writer Harry Warren and lyrcist Ralph Blane to create
the musical numbers for the film. They were often called "the
transportation fellas" since Harry was the writer for
"Chattanooga Choo-choo" and "Atchison, Topeka and the
Santa Fe" while Ralph penned the words for "The Trolley
Song". While O'Neill's original work was a play, MGM's
desire to turn the storyline into a musical required Warren and Blane to
come up with songs that fit the themes of O'Neill's work as well as Mamoulian's desire to direct it as a "musical play". The
film included such titles as "Afraid to Fall in Love",
"Our Home Town" and "The Sweetest Kid I Ever
Met". It was a catchly tune titled "The Stanley Steamer" that
arguably the hit song in the show.
The basic storyline is intended to depict life in a typical American town
and is set in Danville, Connecticut. The musical-play as Mamoulian
tells the story of the Miller family and the coming of age of a high
school senior in the early 20th Century. Rooney, who played the
youngest son in the 1935 telling of O'Neill's story, was now the
son in the 1948 version. While O'Neill's original works involved drunkeness, prostitution, and
sexual situations, the MGM censors required these elements toned down so
as not to offend general audiences of the time.
According to Daily Variety the final cost of the film was
$2,258,235 ($404,708 over budget). The production was hampered by a two-week
motion picture industry strike and Mamoulian suspended film production
but used the time to rehearse scenes and pre-record musical numbers.
Filmed in 35mm Technicolor, the monophonic soundtrack was provided using
Western Electric audio equipment. The trailer for "Summer
Holiday" is available on YouTube by clicking the YouTube logo
early 1947 private screening of the film brought poor reviews and MGM
chopped scenes and deleted three musical numbers from Rouben Mamoulian's
work in an effort to improve it based on private review comments. MGM
then held the film from general release for over a year fearing that it would not do well at the box office. Mickey
Rooney, who's birth name was Joseph Yule, Jr, had been with MGM since
1934 and his long term contract was about to expire in 1948 adding
urgency to the film's release. With MGM's
reputation beginning to decline as well as their financial outlook due
to a number of films loosing money, MGM accountants were calling for the
film's release as well in an attempt to recoop at least some
of the expenses. The film was finally released in Sweden in
February 1948 and a limited USA release began on April 16, 1948. By the
time it debuted in New York City two months later it opened to only
die-hard Rooney and DeHaven audiences as the critics had labeled it a
waste of time to see.
The film was short lived in theaters with most showing it the
minimum allowed by contract. It has recieved improved interest in
modern times since its release on VHS and eventually DVD. Mickey
Rooney's performance was especially targeted by early critics as MGM had
cast an actor who was now in his late-twenties as the star of a production were he had to
play the part of a teenager. "Summer Holiday" lost
nearly $1,500,000 in its initial release and became one of MGM's biggest
flops of the era contributing to the company's continued decline. "Summer Holiday"
occasionally airs on classic film cable channels.
The film is credited with also marking the start of a slump in Rooney's career
that lasted into the 1970's. It is generally considered buy movie
aficionados to be the biggest flop of director Rouben
"Summer Holiday" would not be the last musicalized version of
Wilderness!". In 1959 the original story was retold in the Broadway
musical "Take Me Along", which starred Jackie Gleason. It ran for 448
performances and Gleason won the 1960 Tony Award for Best Actor in a
Musical. The storyline was also adapted for the radio on the Campbell
Playhouse and Ford Theatre programs. Television versions of
O'Neill's original storyline have appeared on ABC, CBS,
and PBS in the early 1950s and mid 1970s.
Stanley Steamer used in the film is a 1910 Model 70 Touring car with
chassis number 5668.
It is a 20-horsepower, 5-passenger car that MGM purchased in 1939 and owned for a number of
years before it was auctioned to a private individual in 1971 for $8,500. IThe
vehicle represents a typical Stanley from an era when windshields
and headlights were still options. Stanleys never left the factory
1910 was the first year that Stanley changed from using letters to
designate car models to using two digit numbers to designate car models.
60-series cars were 10-horsepower, 70-series were 20-horsepower, and
80-series were 30-horsepower vehicles. It also marked the first
year of metal fenders as standard on all cars.
Produced from March 1910 until February 1012, a total of 259 Model 70's
were produced at a base price of $1,500.
This car is the same car seen in the opening scenes of the 2003
biographical sports film "Seabiscuit" about
the thoroughbred racehorse that Americans rallied behind as a symbol of
hope in overcoming difficult times after the Great Depression. By
the time the car was used for the movie the burner had been converted to
burning kerosene fuel. A typical Stanley windshield along with
acetylene headlights had also been added. (photo
The car is currently privately owned and sees occasional use in California.
The lyrics to "The Stanley Steamer" include several words not found in
common use or meaning today. Mickey Rooney wears a "duster" while
driving. Dusters were light weight loosely worn full length
topcoats worn to keep the dust kicked up from driving on dirt roads from
covering the driver's clothing.
The reference to the "Hubbard gown" relates to dresses of the era more
commonly known as "Mother Hubbard dresses". A product of the
Victorian era, they were designed to cover as much skin as possible.
These "grandmother's dresses" as they were often called had long
sleeves, a high cut neckline, and hung from the shoulders straight to
the floor without a waistband or belt. They were loose fitting and
often made from print fabrics.
is another term found in the lyrics. Back in the days before jet
engines, a cumbustor was another name for a burner space. Under
the boiler of a Stanley is a vaporizing burner fired on gasoline
(kerosene wasn't used as the burner fuel on Stanleys until 1913). It is this assembly to which
the lyrics refer. Today we more commonly refer to a "combustor" as
the can-like unit (there are multiple ones used) within a jet engine where fuel vapor,
air, and a continuous spark are combined to initiate the combustion
The use of the term "adjuster" in the lyrics is a reference to a
mechanic or vehicle driver.
Others have recorded "The Stanley Steamer" including
Dinah Shore with the "Modernaires". Jo Stafford
recorded the song on the Capitol label with "The Starlighters". To
listen to Jo Stafford's recording click